Friday, March 29, 2019

PLANNING: CALL SHEET

LOCATION
SOUND
VISION
ACTORS
PROPS
NOTES
CHARLES’ HOUSE
JAPANESE MUSIC
TITLE SEQUENCE- WOMAN IN KEMONO TWIRLS, VIDEO FADES IN AND OUT AT DIFFERENT ANGLES, GIRL HOLDS KATANA (SWORD) SWORD. NAMES OF THE CAST IN TEXT FADES IN AND OUT.
WOMAN
KATANA, KEMONO
N/A
INSIDE THE APARTMENT
SHOWER, BRUSHING TEETH, DOORBELL
HARD CUT- MAX (THE DIPLOMATS SON) HAS HAD A SHOWER AND GETTING DRESSED TO SEE HIS FRIENDS, THIS INCLUDES A MID SHOT IN FROM BEHIND HIM LOOKING IN THE MIRROR AND CLOSE UPS ON MAX WASHING HIS HANDS AND THEN DRYING HEM ON A TOWEL. THERE IS THEN A HARD CUT TO MAX PUTTING HIS BLACK T-SHIRT ON, THERE IS THEN A HARD CUT TO MAX TEXTING HIS DAD WHO HAD BEEN MISSING FOR A COUPLE DAYS. THE DOORBELL RINGS, WE SEE MAX WALK DOWN THE CORRIDOR TO OPEN THE DOOR.

MAX
BATHROOM, TOOTHBRUSH, MIRROR.
SHOWER ROOM IS STEAMY, FAST HARD CUTS BETWEEN MAX GETTING READY.
OUTSIDE THE APARTMENT DOOR
VOICEOVER- DIALOGUE OF GREETING EACH OTHER
THERE IS A LONG SHOT OF THE TWO FRIENDS STANDING INFRONT OF THE APARTMENT DOOR, MAX OPENS THE DOOR AND LETS THEM IN.
TWO FRIENS, MAX
N/A

IN THE APARTMENT
MUSIC PLAYS IN THE BACKGROUND
POINT OF VIEW SHOT FROM MAX’S PERSPECTIVE, THEY SIT DOWN AT A COUNTERTOP ISLAND, MAX CHECKS THE FRIDGE- SHOT FROM INSIDE THE FRIDGE. MAX TELLS HIS FRIENDS THAT THERE IS NO FOOD IN THE FRIDGE- THIS IS SHOT AS AN OVER THE SHOULDER SHOT WHICH THEN GOES INTO A REACTION SHOT AS ONE OF THE FRIENDS SUGGESTS A TAKEAWAY, THEY THEN GO TO THE ROOF.
TWO FRIENDS, MAX
FRIDGE, TABLE, CHAIRS
N/A
ON THE ROOF OF THE APARTMENT.
CITY LIFE- CARS.
LOUD KNOCK ON DOOR.
THEY GO TO THE ROOF, SITTING NEXT TO EACH OTHER AS SILHOUETTES. THE THREE TEENAGERS ARE TALKING. THIS IS SHOT BY A LONGSHOT WITH THE LONDON CITY IN THE BACKGROUND. THERE IS A LOUD BANGING ON THE DOOR.
TWO FRIENDS , MAX
SOFA
NIGHT TIME
IN THE APARTMENT
FOOTSTEPS
POINT OF VIEW SHOT OF MAX WALKING TO THE DOOR, FOCUSING IN ON HIS FEET.
MAX

IT IS LIGHT IN THE APARTMENT
IN THE APARTMENT
SILENCE AS HE COMES OUT OTHER THAN MAX’S ECHOING FOOTSTEPS.
MAX OPENS THE DOOR OF THE APARTMENT AND WE SEE THE KIDNAPPERS FOR A SECOND BEFORE A BAG IS PLACED OVER THE CAMERA (POV SHOT).
MAX
KIDNAPPER
 BLACK BAG


IN WAREHOUSE
DEEP BREATH AS BEEN ALMOST DROWNED
MAX’S HEAD IS PULLED OUT A BUCKET OF WATER TO RESEMBLE DROWNING/TORTURE
MAX
KIDNAPPERS
BUCKET OF WATER
ZIP TIES

DARK LIGHTING
WAREHOUSE
KIDNAPPER 1 SAYS ‘WHERE IS HE?’
MAX IS STRAPPED TO CHAIR
MAX
KIDNAPPER
CHAIR
DARK LIGHTING
WAREHOUSE
VOICE OVER - ‘WE HAVE YOUR SON’
MYSTERIOUS MAN LIFTS PHONE TO FACE- HIS FACE IS OVERCAST BY A SHADOW HIDING HIS IDENTITY.
KIDNAPPER
PHONE
DARK LIGHTING

1 comment:

  1. Excellent evidence of careful planning and thoughtful decision-making about your film opening, in order to develop the narrative logically whilst stimulating suspense and excitement.

    ReplyDelete

NATHAN FOSTER 1626 CLAREMONT FAN COURT SCHOOL 64680 I WORKED WITH  CHARLES GORDON 1626, MAX RAGAN 1656 Our brief was to m...